A quick round-up of things

So, news. 

Patrick Smith (of False Machine) did a review of Wolf-packs and Winter Snow recently. He said some very nice things about it, too (and sales shot up as a result afterwards, which was nice). The bit which caught my interest, though, was this:

"What does it mean that random weirdos are now creating perfectly interesting games in the OSR style, on their own, and apparently just dropping them on the internet?

I have no idea, its a kaleidoscope community and I've never seen more than a fragment at any one time? Is it getting bigger? I couldn't tell you. The core OSR-type personality is an odd combination of flinty and arty and there are relatively few people who are like that so I doubt it is growing at any speed."

Which got me thinking somewhat. There's definitely something consistent to the design choices and tastes in a lot of OSR gamers and writers. You get this wonderful darkness in the games. Not bombastic grim darkness like in warhammer 40k, or melodramatic angst-ridden darkness like in Vampire the Masquerade. OSR darkness is very much more dirty and primitive. A lot of the best stuff I've read - Deep Carbon Observatory, The God That Crawls, and basically everything from Goblin Punch - has this sense of decay and forlorn-nes to it. Things break, people die pointlessly from their own mistakes, and nothing has a grand meaning behind it. Things just happen, and often those things are bad.
I love the contrast in OSR stuff. On the one hand, you get these pretty mundane, familiar PCs, using old familiar mechanics. By this point, basically everybody knows what fighter-cleric-thief-wizard means, and how stuff like hit-points and saves work. It makes your little 'self' in the game world feel normal. So then when you get all this weird shit thrown at it (A game I'm running at the moment has featured trees that bleed like humans and moan when you cut them, giant barnacles in a cave with three-foot razor-sharp tongues, and the Great God Vorm - the bird who eats snakes.) and that contrast really highlights the scary otherness of the stuff you come up against. 

I dunno where I'm going with this.

I don't like the book for WP&WS enough. I'm working on a new version. It's gonna be hardback. It's gonna have actual art in it (public domain art, admittedly, but it's still a step up from only silhuettes). I'm adding some new content, too. Extra monsters (now you can fight glyptodons, severed hands and walking mushrooms!), new hazards (because one of my favourite bits in the book were the example slimes and spores and stuff, and more of them is always fun) and stuff like that.

Also, a new class; Neanderthal Apothecaries are a little squishier than normal Neanderthals, but get pretty good at Medicine. Plus, they can brew potions that mimic the effects of spells. This brings the classes to a round ten, so now you can pick your class by rolling a d10, if you're hardcore.

I might put some of the extra bits up on the blog once I like how they look.

I'm getting interviewed by the guy who writes Vacant Ritual Assembly. Mr Krausse is a lovely bloke, and the back-and-forth of emails has been pretty enjoyable so far. Everybody should get interviewed at some point, it's very satisfying.

I've been rubbish at updating the blog recently. Stuff in my real-life, and so on. But I'm gonna try and change that.

Bloodline: The Strigoi

A homebrew bloodline for Vampire: The Masquerade

The Strigoi are a minor, yet largely successful, bloodline confined to the far north. The origins of the bloodline are murky, but they are believed to be an ancient offshoot of Clan Lasombra that became isolated in the far north and developed their own crude culture. 

The Strigoi hold that, since fire and sunlight are anathema to Cainites, they are therefore creatures of cold and darkness. Aligning themselves with winter and the empty, snow-filled wastes, they see themselves (and, indeed, all other vampires) as manifestations of the empty, gnawing cold at the heart of creation. Outsiders have drawn parallels between the Strigoi's reverence for Winter and the Lasombra's reverence for the Abyss, although any Strigoi questioned on the matter claim that it is the Lasombra who have become confused.

The Strigoi have abandoned the lordly ways of many Cainites, instead forming small broods of sire, childer and grandchilder that roughly match a mortal family unit. These broods are linked my a mess of interweaving blood-bonds that pull the family together into a largely cohesive whole, although the elders tend to dominate due to their greater strength and more potent blood.

A Strigoi brood spends a large chunk of the year - the arctic day, when the sun never dips below the horizon - torpid. Sealed into the permafrost, the brood waits for the sun to drop lower, and emerge tentatively as the brief nights begin. As the nights grow longer, the brood will grow more confident, and range ever further each night in search of prey. Eventually, the sun sinks beneath the horizon and does not rise again the next morning, and the brood has free rein over their territory, attacking when and where they like to feed at their leisure. This savagery will continue until the sun begins to rise again in the spring, and the Strigoi retreat to their hiding-places to wait for the next arctic night.

The bloodline are fiercely independent, without any interest in the Sabbat's grand crusades or the Camarilla's politics. They disdain the idea of keeping a masquerade, pointing out that in their territory humans are still isolated and vulnerable, and the sun does not rise for months at a time. They have some friendly contact with other nomadic savages, mostly limited to clans Gangrel and Ravnos, but beyond this tend to be largely isolationist.

In appearance, the Strigoi seem decidedly inhuman. Low humanity leaves its mark on them, and most a pallid, shrivelled beings with hollow eyes and prominent fangs. What clothing and equipment they wear is minimal and highly practical, since they don't suffer the cold and have no need for ornamentation. Likewise, their lairs tend to be simplistic affairs; pits and caves beneath the permafrost where the sun cannot reach them, containing various items of plunder in a rough pile, and dug-out hollows where each Strigoi rests during the day.

Strigoi concepts tend towards physical attributes, and the more cerebral members tend to favour perception over other mental attributes. Stealth, athletics, survival and animal ken are all common abilities, and knowledges tend to be a weak-point. Strigoi backgrounds tend to be sparse, typically a few points in Haven and perhaps retainers to represent their progeny. 

Bloodline Disciplines: Potence, Obfuscate,  Rime
Bloodline Weakness: Strigoi can form a third-level blood bond to any number of other vampires, rather than being limited to only one. On top of this, they cast no shadow which, like with the Lasombra weakness, can make them easy to spot.

The discipline Rime will come in a future post, once I've worked out how it all fits together. In the mean time, I'm sure you can use obtenebration and refluff everything from 'darkness' to 'cold'.

Esoteric Enterprises, a potential new project.

So, just a quick one today. 

I got a copy of Orpheus a little while back, and that's been stewing in my head with a bunch of other games and settings. Lacuna (just play it, it's amazing), Shadowrun (great concept, shitty bloated rules), Wraith, hellboy, a bunch of stuff. Out of this, I've had an idea for a game.

Basically, you get a modern setting. It's focussed on ghosts and the afterlife, with PCs as ghosts, mediums and necromancers and stuff. You're essentially a little independent firm in the occult underworld. Gameplay is very mission-based, with stuff like break-ins to get magical artifacts, taking out dangerous hauntings, exploring horrible ruins in the city sewers. Everybody is a weirdo in a black trenchcoat with a pocket full of occult gewgaws and a sawn-off shotgun, and it's after dark and raining, and something's horribly wrong.

In a lot of ways it's an OSR-esque take on the same idea as WoD. No big conspiricies (that players are part of, at least) or grand powers, just the barely-alive and recently-dead scrabbling for their continued existence in the world's most dangerous profession.

So, what do I want to actually /do/ with this as a game? A few things.

• I'm looking at having undead be playable. There's a class for ghosts and a class for physical undead, as well as a fighter-mage-thief set of classes for living humans. 
• Classes are front-loaded. You don't really get new abilities as you gain levels, just better at them, and stronger overall. The exception here is necromancers learning new spells.
• A single save (like S&W does) that's modified by an appropriate attribute modifier depending on what you're saving against. Skill rolls work in the same way - a single value that improves by level and is modified by an appropriate attribute. Basically all the rolls you'll make as a player are either these or an attack roll.
• The meat of the player-facing rules is in the interaction between physical and ethereal stuff. I'm still hashing out the details, but essentially you get two HP tracks, one for physical damage and one for ghostly damage. Mostly, you only need to worry about one sort (ghosts don't get hurt by physical attacks, for example). 
• Each of the classes interacts with the physical/ethereal divide differently, so gets a dramatically different playstyle based on what they can do.
• Unlike a lot of OSR games, I don't want character death to be final like it is in most games. If a living character dies, they get to re-stat as a weaker undead one. Undead characters who are killed will come back again weaker and weaker until they eventually fade into nothingness. Basically, you ressurect one level lower, but if you hit level 0, you die. On top of this, I'm thinking of letting PCs swap classes (with the same penalty of a level) if their circumstances change. This is going to take a decent amount of work to feel right, but it means I can make things SUPER lethal and not worry about PC attrition so much.
• On the GM's end, I want the game to be pick-up-and-play, without too much prep ahead of time. This means random tables and flowcharts and stuff. I want it to be pretty simple to make a quick mission for an evening's play basically on the fly from randomized prompts and complications.
•  I also want to include escalating danger. The thinking here is that the party racks up 'heat' the more dodgy/illegal/flashy stuff they do, which means that more and worse random encounters turning up until they go to ground to loose their heat. This should tie in nicely with the equivalent of wandering monster tables, with what type of unwanted attention you attract depending on what sort of job you're doing. 

This is likely going to be another big project like Wolfpacks was. I'll be throwing some ideas around and stuff, as ideas occur to me. Probably I'll have a functional ruleset hashed out fairly quickly, and then stuff like the GM-side procedural game generation will take longer, as will putting it into a workable form and getting it publishable.

Metamorphosists

Doctor Moreau, Victor Frankenstein, Professor Farnsworth, clan Tzimisce and various hunchbacks by the name of Igor. There's something fascinating about a scientist meddling in Things Man Was Not Meant To Know.
Because of my tendency to try to build one of these characters in every system (from Lamentations of the Flame Princess, to Don't Rest Your Head, to Changeling the Dreaming), I figured I'd make an actual LotFP class for the concept. Here it is.



Hit Dice, experience, and saves are like a Magic User. All metamorphosists have a 5-in-6 rating in the Medicine skill, and a 2-in-6 rating in the Research skill.
Metamorphosists must be either lawful or chaotic - not neutral. Maybe they're sworn to pursue their understanding of the natural order of the world, placing their faith in the laws and regularities of science. Maybe they're maniacs seeking to usurp God's place as the bringer of life. Either way, their studies have led them away from mundane, ordinary life.

Procedures

A metamorphosist can replicate some of the effects produced by a cleric or magic user. This, effectively, allows them to cast spells through the application of scientific knowledge. These effects are referred to as procedures. 

Performing a procedure requires the metamorphosist to use at the very least a set of Surgeon's Tools, and to have a safe and secure place to work. On top of this, most procedures will require specific organs or materials, which are used up regardless of whether or not the procedure is successful. A procedure takes one day's work to complete for each rank of the spell being mimicked. The subject or subjects must be present throughout, either willing participants, or else restrained.
To use a procedure, if the metamorphosist is not working in a private, well stocked laboratory (worth at least 500 silver per spell level being mimicked), then they must pass a medicine skill roll to pull the procedure off.
No saves can be made to resist a procedure, even if the spell mimicked would normally allow one.
Regardless of the spell's duration when cast by a cleric or magic user, the any changes made by a procedure last indefinitely. They do not count as supernatural, and so are unaffected by anything that detects, dispels or enhances magic.

At first level, a metamorphosist knows how to perform two procedures - Cure Light Wounds and Embalm. For every level they subsequently gain, they learn to perform an additional procedure, which is set by the level they just gained. 

• At First level, Cure Light Wounds and Embalm are known. Cure Light Wounds requires no additional materials. Embalm is a custom spell for this class, and requires a glass vessel filled with neat alcohol; unlike other procedures it only takes a turn to perform.
• At second level, Graft is learned. Graft is a custom spell for this class, which requires a living example of the body-part to be replaced.
• At third level, Change Self is learned. This spell can be cast on any subject, not just the metamorphosist's self, and requires a few square inches of living skin, and possibly samples of fat, muscle, hair and so forth depending on the changes to be made.
• At fourth level, Delay Poison is learned. It requires the use of a living leech.
• At fifth level, Cure Disease is learned. It requires no additional materials.
• At sixth level, Speak with Dead is learned. It requires the dead subject's preserved brain, rather than their head, and a small paper cone that it is hooked up to to produce the voice.
• At seventh level, Cure Serious Wounds is learned. It requires no additional materials.
• At eighth level, Neutralise Poison is learned. It requires no additional materials.
• At ninth level, Feeblemind is learned. It requires the brain-stem matter from a base animal such as a toad or sheep, which is grafted into the victim's own brain.
• At tenth level, Animate Dead is learned. It requires only the corpses to be re-animated, a lightning rod and a thunderstorm.
• At eleventh level, Cure Critical Wounds is learned. It requires no additional materials.
• At twelfth level, Mind Switch is learned. It requires only the two beings to have their minds switched, and swaps their brains.
• At thirteenth level, Animate Dead Monsters is learned. Like Animate Dead, it requires the corpses to be re-animated, a lightning rod, and a thunderstorm.
• At fourteenth level, Heal is learned. It requires a few pounds of living flesh.
• At fifteenth level, Simulacrum is learned. It requires enough living flesh to build the new body (rather than snow), a lightning rod, and a thunderstorm.
• At sixteenth level, Unnatural Transplant is learned. It requires only the body part responsible for the power to be replicated.
• At seventeenth level, Clone is learned. It has the same requirements as when cast normally.
• At eighteenth level, Trap the Soul is learned. It requires a large glass containment vat, which costs the same as and replaces the gem required when cast normally.
• After eighteenth level, no more procedures are learned.

A metamorphosist is not limited to only perform the procedures they have already learned. If they can justify in suitable techno-babble how they intend to go about the procedure, then (at the GM's discretion) they can give it a shot. As well as the possible Medicine skill roll, a Research skill roll must be made. If the Research roll fails, then - regardless of whether or not the actual procedure was a success - then Something Has Gone Horribly Wrong. It is up to the GM to decide what exactly this is. It could range from an angry mob of torch-wielding peasants, to an outbreak of a horrible new plague, to the patient becoming Horribly Wrong themselves - whatever the GM thinks would best drive home the metamorphosist's hubris.

New Spells

Embalm
Rank: 1
Range: touch
Duration: 1 month per level
This spell causes a body or body part to be preserved perfectly so long as it is left reasonably undisturbed. If it was fresh when the spell was cast, then the body parts will count as 'alive' for anything that needs living flesh.

Graft
Rank: 1
Range: touch
Duration: Instantaneous
This spell replaces a ruined or removed body-part. Although it doesn't heal damage to flesh, it automatically undoes an injury from the How Flame Princess Got That Way rules.

Unnatural Transplant

Rank: 7
Range: touch
Duration: Permenant
This spell allows the target to gain an ability from a defeated monster by grafting the organs responsible onto them. This could be something fairly mundane, such as gills to let the recipient breath water or venom glands to make their bite poisonous. Alternately, it could be entirely supernatural and bizarre, such as medusa's face stitched over the recipient's own to let them turn enemies to stone, or pyroclastic glands that let the recipient breath fire. The organs to be grafted in must be fresh, and must actually fit onto the recipient somewhere.

Three-fold Models are the Indie version of Fantasy Heartbreakers.

So, inevitably, people take apart games and the people who play them to classify them and what they like or (more commonly) dislike about them.
You get the whole GNS shebang which looks at people's 'creative agendas' and what they want out of the game, and stuff like that. Personally, I find that approach kind of lacklustre, as it doesn't tell us anything about the game's writing itself. Plus, the difference between simulating a genre's cliches and 'exploring the themes of a genre' is something I never really saw the distinction in.
Anyway, I tend to classify games into three broad types, based on the focus of their mechanics. Something about gamers, and particularly the ones that write their own games, seems to love dividing things into catagories, and I'm no exception there.

So, first up, we have crunchy games. These are the games where you have several big chunky books full of rules and interactions between rules. You often have a broad underlying mechanic, and then loads of modifications to it for different situations.
These games tend to put a lot of focus on character builds. What you can and can't do is strongly defined by the decisions you make in character creation. Often, a skilled optimiser can make a character that's much stronger than an unoptimised character. These sorts of games tend to involve a hefty character gen (maybe taking up a whole session or more) spent pouring through books comparing options, and then in play fairly strict adherence to the rules. In play, there tends to be a lot of focus on working the system in your favour, so that the raw mathematics of the situation rigorously defines what happens.
Often, these games are heavily combat focussed, but not always. Examples that I particularly like include the various Old World Of Darkness games. GURPS, 3rd and 4th edition D&D, shadowrun, the various 40k rpgs and loads more all come under this bracket.

Then, we have story games. These games put a mechanical focus on the actual plot, and typically give players tools to control who gets to control the narrative. Rules about who gets to narrate what, mechanics that control spotlight and tempo, collaborative storytelling and experimental games are all in this vague group. Games without GMs, or which give players a lot of tools to take over GMing fit in here nicely.
Usually, the mechanics are pretty abstract and universal. You tend to get the ability to come up with your own stats and powers, limited abilities to force the story in particular directions, and control over things that aren't your own PC. These games have much more of a tendency to think of themselves as Art, and to deal with genres that aren't variations on action, horror, fantasy and sci-fi.
Some of these games that I really like include Don't Rest Your Head, Monsterhearts and Lacuna. Other games you might have come across include Dungeon World (and all the other 'powered by the apocalypse' games), Fiasco, Dread, Fate, and way more indie darlings I've never played.

Lastly, there's rules-light games. These games tend to take the focus away from the rules themselves, treating them as an unfortunate inconvenience. Rules tend to not to be universal, and handle stuff on an ad-hoc case-by-case basis. Ideally, of course, these games don't want you thinking about the rules at all, and instead it's about doing smart things IC.
Character gen is usually quick, and often pretty random. Lethality might be quite high. Unlike story games, these games are pretty firm on the distinction between the GM and the Players: you say what you want to do, and the GM controls the results of your actions and literally everything else in the world. Unlike crunchy games, the game tends to rely on GM judgements more than rules - if the mechanics conflict with what the GM thinks 'ought' to happen, the GM takes control, not the rules.
Most OSR games fall in this category. Other games here that I particularly like include Paranoia and Trail of Cthulhu. To be honest, since this is my preferred style of play, I don't really know many games like this that I don't enjoy.

So there we go. Basically, it comes down to how you determine what happens next: strictly following the rules, using an abstract system to control narrative rights, or DM fiat.
Just my thoughts, and probably not massively useful.

Ageing in Wolf-packs and Winter Snow

So, I'm working (slowly) on a Wolfpacks adventure where one of the key themes is going to be ageing and de-ageing people. There may be creepy babies involved.
For this, I've been scribbling up some rules on very old and very young PCs. This is what I have so far:

Random Ages
When your character's age becomes relevant, if you already know it, then that's fine. If you said your PC was 22, they're still 22. Otherwise, roll up their age at random, using the following methods.

For child PCs (probably only members of the Orphan class in WP&WS), roll a d10 and add 5, to get a number between 6 and 15. That's how old you are.

For adult PCs (most other classes), you use a slightly more complex method. For this game, we're assuming that 'adult' starts much younger than it does in modern life. Historically, kids in their mid teens were often considered adults and expected to contribute as such. Your basic age starts out at 14. Roll a d4, and add that to your age (for a number between 15 and 28). Then roll a d6. If the result on the d6 was less than the d4, you don't add any more to your age - your age is just 14+d4. If the result on the d6 was equal to or more than the d4, add the d6's result to your age and keep going.
If you added the d6, do the same thing with a d8. Roll it, and then do nothing more if it was less than the d6, or add the number and keep going if it was equal or more. Then do this with a d10, and then a d12, and then a d20 for so long as you keep on rolling equal to or better.

This result gives Most PCs an age of about 16 to 25, and older characters become less and less likely. The maximum possible age is 74, but this is really rather unlikely.

For PCs that start out immortal at level one (none in the core book, but I'm already idly considering classes for the undead, and I don't know what homebrew you might be using. Hell, maybe you want your Morlocks to never age in order to make them even elfier or something), use the same method as for adult PCs. After the d20, you roll a d100, and then keep on rolling d100s until the roll was less than the previous.

The Effects of Age
Adults (aged between 16 and 50 for humans/Neanderthals/Morlocks) work just normally.
Children (aged between 6 and 15 for humans etc) are smaller than adults, which gives them +1 to their AC, and reduces their carrying capacity by 1. This is already included in the Orphan class.
Toddlers (aged between 1 and 5) are handled in one of two ways. Mundane toddlers are fucking useless. They have d6 flesh only, can't do much to be useful, can carry maybe five things without dropping them, and primarily get in your way. An adult de-aged to being a toddler is handled slightly differently. If their hit-dice was bigger than a d6, drop it by one size. (Re-roll your flesh and grit points, or just have one less flesh/grit point per dice if you're lazy). They get +2 to their AC, and reduce their carrying capacity by 2, because they're little. Their movement speed is halved.
Like toddlers, babies (less than a year old for humans) are handled in two ways. Mundane babies have d4 flesh, and can't do much beyond cry, poop, and feed. Adults de-aged to become babies get their hit dice reduced by two sizes, down to a minimum of a d4. (Re-roll hitpoints, or just lose 2 per dice, as before). They get +3 AC and reduce their carrying capacity by 3, because they'e so small. Movement is reduced to a tenth of normal.

You will notice that adults reduced to very young ages can often still fight and act much like they would as an adult. This is the creepy kids effect. Picture a six-month-old baby that produces a stone knife from somewhere in its swaddling wraps and proceeds to attack you like a rabid animal. It's just a baby, sure, but that knife is still a knife and it's fighting far harder than normal babies do. I mean, even if you win the fight, that makes you a baby-murderer. 

Humans (and morlocks and so on) have a maximum lifespan after which they promptly die of old age. De-ageing, new bodies and so on can get around this, but normal healing can't. Creeping up on old age is always a good reason to become a lich. Most humans have a maximum lifespan of 50, plus 2d12. You only need to roll this if you're about to get a load older, and risk dying as a result.
If you roll this, and its less than the age you were already, then the good news is that you were on the verge of keeling over as it was, and had maybe a few months before old age caught up with you. Lots of elderly magicians find knowing that they're going to kick the bucket focusses their minds wonderfully.
There aren't any penalties for being Really Old, unless you want to roleplay being cantankerous and having achy joints and missing the good ol' days. 

Some new spells!
Minor Senescence 

Rank: 1
Range: 5 feet per level
Duration: instantaneous
This spell ages the subject by d12 months. For every level the magician has over 1st, the victim ages another month. You may need to check how old you'll be when you die of old age, and if you're aged above that, you die. No saves are allowed, but Remove Curse undoes the effect.

Minor Neoteny 

Rank: 1
Range: 5 feet per level
Duration: instantaneous
This spell reduces the age of the subject by d12 months. For every level the magician has over 1st, the victim is de-aged another month. If you're de-aged to before the point of birth, you become a helpless foetus, and probably die in short order unless somebody has an artificial womb to pop you in. No saves are allowed, but Remove Curse undoes the effect.

Major Senescence and Major Neoteny are rank 3, and work just the same, but use years instead of months. Overwhelming Senescence and Overwhelming Neoteny are rank 5, and likewise use decades instead of months or years.

Salt Path Necromancy

This is another of my homebrew paths of necromancy, designed to give necromancers in Vampire the Masquerade a little bit more flexibility.

The Salt Path is reasonably well known among the Giovanni. It was derived from the practices of another Mediterranean necromancer-family that the Giovanni married into and subsumed. It deals with wraiths, particularly summoned or bound wraiths, much like the Sepulchre Path does, but focusses on ways to bolster their effectiveness. In many ways, it can be considered a carrot compared to the Sepulchre Path's stick.

Rank 1 ~ Reward the Faithful Servant
This power makes willingly obeying the necromancer an enticing prospect for any wraith they encounter. All wraiths gain power from following their obsessions, much like a vampire does from feeding on blood. The necromancer can induce an obsession with serving them, so that a wraith in their service gains supernatural might in reward. Often, these servants require little or no compulsion, and serve willingly and eagerly.

System: This power requires the necromancer to spend a point of Willpower, and to rolls Charisma + Occult. The difficulty is the target wraith's current pathos pool. If it succeeds, the wraith gains the passion 'serve the necromancer' at one dot for every success. The passion will normally be based around an emotion such as loyalty or idealism. If the roll is botched, then instead the wraith's shadow gains the dark passion 'oppose the necromancer', with a rating of one dot for every 1 in the pool. Note that the wraith is in no way compelled to follow the necromancer's orders, and can completely ignore them if they want, but will gain pathos easily if they choose to serve.
The effects of this power last until the next sunset. The wraith suffers no ill-effects when the passion goes away.

Rank 2 ~ Room and Board
This power binds a wraith to the necromancer, allowing them to affect the necromancer more easily, and even to heal damage to their form by slipping inside the necromancer to slumber.
System: Much like Reward the Faithful Servant, Room and Board  requires the necromancer to spend a point of Willpower, and to rolls Charisma + Occult. The difficulty is again the target wraith's current pathos pool. If the roll succeeds, then the wraith gains the necromancer's own body as a fetter, with a rating of one dot for every success. They will have reduced difficulties to affect the necromancer with arcanoi, among other effects. In addition, every time the necromancer uses this power successfully, the target wraith becomes one step more attuned to the necromancer.

The effects of this power last until the next sunset. The wraith suffers no ill-effects when the fetter goes away, although if the necromancer suffers Final Death during the ability's duration, then the wraith suffers the normal Harrowing for losing a fetter.

Rank 3 ~ Grant Sanctuary

A necromancer can repair damage to a wraith by donating their own vitality and strength.

System: The necromancer rolls Stamina + Occult. For each success, they may spend a point of blood to heal one point of damage to the wraith. If the necromancer wishes to heal levels Aggravated damage, they take a level of Lethal damage (which cannot be soaked or otherwise prevented) for each level of Aggravated damage healed.
This power cannot heal wraiths which are currently embodied in physical form, possessing a physical object, Risen, or similar - only those in their normal immaterial form can be affected.

Rank 4 ~ Monitor the Servants

With this power, a necromancer can watch over those wraiths who have a personal connection to them. They can push their conciousness out to these ghostly servants, becoming aware of their surroundings and actions.

System: A necromancer with this power is always automatically aware which wraiths (if any), have a passion or dark passion relating to them directly, or have the necromancer as a fetter. By spending a point of blood and rolling Perception + Occult (with difficulty equal to the target wraith's Willpower), they can observe one of these wraiths. They see, hear, smell and otherwise sense what the wraith senses, looking out from behind the wraith's eyes. Their perception pools are capped at the number of successes achieved on the roll.
The effect lasts as long as the necromancer wishes, but whilst active they have no awareness of their own body, and fall into a dormant state much like torpor. Unless they are physically injured (which snaps their awareness back to their own body immediately and wakes them back up) they are completely helpless.

Rank 5 ~ An Extension Of The Master
By building on the abilities of Monitor the Servants, this power grants the necromancer incredible control of their ghostly servants. Rather than merely observing, the necromancer can actively intervene in their servant's affairs using their supernatural arts.
System: This power grants additional abilities to the power Monitor the Servants. When the necromancer is observing a wraith, they can cast any Necromancy powers they have on that wraith. Doing so costs an additional point of blood, and their dice pool is capped by the number of successes on the roll to observe. The necromancer can also use necromancy powers on the wraith's surroundings as if they were there themselves (for example, on another wraith that their host is in conversation with). This, however, costs an additional point of blood and one of willpower, and again the dice pool is capped as before.